Projection Design Workshop, Western Michigan University, 2022
“For over twenty years, I’ve developed hands-on workshops and visiting-artist engagements for universities, art schools, and independent arts programs. I shape each visit around the participants, available facilities, and the host’s goals, combining as appropriate a public talk, demonstrations, making sessions, critiques, and studio visits.”
Creative Coding and Generative Systems
Code as a material for artists through rule-based systems, generative image and sound, live visuals, and experimental interfaces. Creative and critical approaches to artificial intelligence and synthetic media attend to artistic agency, material translation, and the ways computational processes enter studio practice.
Post-Digital Printmaking
Hands-on exploration of how CNC routers, laser cutters, and other digital fabrication tools can participate in traditional matrix-based printmaking. Workshops connect custom drawing tools, laser-engraved matrices, and traditional print processes. Sessions can be tailored to available equipment and participants’ prior experience.
Sound as Art Material
Sound as a material for making work in physical and virtual space, with attention to its physical presence as vibration, resonance, and movement through bodies, objects, and environments. Hands-on exploration may include microphones, field and contact recording, digital editing and synthesis, installation, performance, and relationships among authorship, audience, and participation.
Projection Design
Conceptual and technical approaches to projection as image, illumination, and a material for shaping space, time, and audience experience in installation and performance. Workshop formats can range from beginner-level projection fundamentals to advanced, site-responsive work using TouchDesigner, projection mapping, surfaces, mirrors, and multiple-projector systems.
Experimental Sound Workshop, Hope College, 2018Post-Digital Printmaking, Wrocław Academy of Fine Arts, 2016Post-Digital Printmaking Workshop, Shakerag, 2018
Formats and Planning
Workshops may range from a single session to a multi-day intensive. Some software, critique, and professional practice workshops can be delivered via zoom, though in-person is preferred when possible. A visiting-artist engagement can also include an artist talk, undergraduate or graduate critiques, class visits, and conversations with faculty or programs.
Selected hosts include KHiO—Oslo National Academy of the Arts; the Academy of Fine Arts in Gdańsk; the Eugeniusz Geppert Academy of Fine Arts in Wrocław; Shakerag Workshops; Texas Woman’s University; Zayed University in Dubai and Abu Dhabi; Ringling College of Art and Design; Indiana University; Rutgers University; Whitman College; and Colgate University.
To discuss a keynote, workshop, or visiting-artist engagement, please include the audience, possible dates, available facilities, desired format, and email catanese.paul [at] gmail.com.