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2008 | Installation
Forgotten Constellations was installed at the 1708 Gallery in Richmond, Virginia for a month-long exhibition in May 2008. Projection and illumination transform the gallery; Forgotten Constellations functions as the site of excavation where viewers are invited to become historians, geologists and mapmakers. |
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2008 | Digital Relief Printmaking Series
Aquifers is a digital relief printmaking series that emerged from initial studies for the Forgotten Constellations installation. The images were drawn with software derived from the Celestial Workshops codebase, the plates carved on a CNC mill and printed on a Vandercook SP21 Letterpress
at the Kala Art Institute in Berkeley, California. |
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2007 | Digital Relief Printmaking Series
Celestial Workshops is a major, expanding series of images that describe imaginary constellations initially inspired by translucent objects suspended in the fluid within my eyes. These first four prints in the series were completed during a residency in Peoria, Illinois at the Prairie Center of the Arts in collaboration with Master Etcher and Printer Oscar J. Gillespie at the Cradle Oak Press of Bradley University. |
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2006 | Installation
The Hunting Prayers installation
was first exhibited during a week-long residency at Washington
State University in March of 2006. Objects
and images from my existing collections (such as teeth,
eyes & hooks)
along with items found during searching and hunting
expiditions in the local vicinity, were incorporated
into this installation that makes use of projection and
illumination, silhouette and translucency. |
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2006 | Edition Variée of 10
New Prayer for St. Anthony was
created in collaboration with Barbara Foster's Advanced
Printmaking Class at SFSU in the Spring of 2006.
This 16 x 21" Edition Variée combines several
processes including lithography,
woodblock, gold stenciling and wet-in-wet watercolor. |
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2005 | Online, Browser-Based Artwork. Also exists
as Physical Installation with Gameboy Advance (GBA),
Handmade Book.
Commissioned in 2004 by Rhizome.org, Misplaced
Reliquary is a
handheld curiosity
cabinet containing relics collected by an eccentric
curator. The relics are contained within a virtual repository
taking the form of a GBA ROM that can be "played" online
and/or downloaded to any GBA (with the correct
transfer hardware). An artist's edition of five game cartridges
has also been created. |
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2004 | Online, Browser-Based Artwork
Collective Geology of the Erased Space is
a 2004 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore)
for its Turbulence web site. It
was made possible with funding from the National Endowment for the Arts. |
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2004 | Digital Cornell Boxes for Gameboy Advance
In completion of a residency awarded through the 2004 artist fellowship
program at the Kala Art Institute in Berkeley, California I created three
digital Cornell boxes for the Gameboy Advance: Medicinal Craft of Cephalopods,
Recollections of a Somnambulist and A Short History of the Bezoar Stone.
Each of these pieces exist separately although they are often installed
together as they are formally and conceptually complimentary to one another.
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2003 | Three-Channel Gameboy Advance Installation
This project is inspired by the "gotta catch them all!" mantra which fuels
the fanaticism of capturing Pokemon. In this installation of flexible
dimensions, I have converted Nintendo's Gameboy Advance handheld
system
into a virtual
repository
for show quality
Koi. The fish are trapped within the devices: a much smaller tank, but
more effective method for distributing ownership of these regal animals. |
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2001 | Online, Browser-Based Artwork
Invisible Maps is a web-based interactive work which explores threads of
narrative: how the choices we make when traveling are akin to letters,
words and sentences. With every gesture we write novels; every stroll
fills volumes of encyclopedia. Invisible Maps examines those unknowable
relationships; invisible realities that linger in the atmosphere with
the smell of electricity. |
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2000 | Single-Channel Video Installation with
Cibachrome
Come Hither is a multimedia installation which utilizes video, proximity
sensors and "blurred" voices to lure viewers closer to a small
3" screen. The work is coupled with a large 56x48" Cibachrome
close up of an octopus tentacle that illustrates the flesh of the creature
in repulsive detail. The overall effect is one which attracts the viewer
to the video but which requires them to move closer toward the portrait
of the looming cephalopod. |
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2000 | Online, Browser-Based Artwork
Fish Histories is an online work of narrative - but it is
entirely reactive and linear. This work explores the space
of the browser as a form of book narrative. It is a hybrid
creation of photography and text, bound and glued with
programming and experienced via the internet. Viewing is intended
as an intimate moment, similar to the immediacy and personal
relationship to interaction with a Chinese scroll painting. |
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1999 | Animation: Hand-Drawn, 3D and Video
Two Minutes on a Subway Train was created by a hybrid process combining
traditional hand-drawn animation methods, video composition and 3D animation
in order to create a visual field that was unlike the signature of any of
the three individually. Viewers watch as the journey of a man unfolds, but
they watch this journey through the projection of his psychology onto the
physical realm. |
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Last Modified:
June 23, 2008 |
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